Valda BaileyNationality: UK
Awards:- | USA Landscape Photographer of the Year 2014 7 images Highly Commended
- | GARDEN PHOTOGRAPHER OF THE YEAR 2013 'Greening the City' - finalist
- | GARDEN PHOTOGRAPHER OF THE YEAR 2012 'Greening the City' 2nd place & 3rd place
- | LANDSCAPE PHOTOGRAPHER OF THE YEAR 2012 - Judges commendation
- | GRAND PRIX DE LA DECOUVERTE - Juror award of merit 2012
- | INTERNATIONAL LOUPE AWARDS 2012 - Bronze award
I am a freelance photographer living in Sussex.
I am largely motivated by colour and form and the tension and dynamism that these components can bring to an image. My objective is not so much to portray a literal representation but rather depict my feelings evoked by the landscape. I try to find something extraordinary in the mundane.
My approach to photography is greatly informed by my background in painting and influences come as much from artists as photographers. I think as a consequence of this, I am drawn towards flat, abstract renditions. I have found a way of working using multiple exposures and intentional camera movement which helps me simplify the detail in a scene. It is a way of working which is controllable to a certain degree, but still has a great deal of unpredictability about it and it is this aspect that is both challenging and rewarding.
There are seemingly limitless combinations of settings which can be employed - my camera will combine up to 2000 images into one file. This, together with with variations of shutter speeds, white balance settings, lenses, exposure values etc: gives me an endlessly fascinating array of options as to how I approach my work.
Perhaps I am a rule breaker at heart - for me, nothing is more dispiriting and destructive to the creative process than somebody telling me that the rule of thirds, f/16 and a golden sunset must converge in perfect harmony in order for an image to be deemed successful.
My work has been featured in national and international publications and I have exhibited most recently at the biennial Masters of Vision in Southwell Minster. I have images in private collections worldwide and my work has been purchased by notable members of the art and photographic community.
Pablo Picasso: Every child is an artist. The problem is how to remain an artist once we grow up.
1. WICH IS THE CENTRAL QUESTION IN YOUR LIFE AS A PHOTOGRAPHER?
I am driven by an exploration of colour and form.
2. WHO ARE THE PHOTOGRAPHERS / OR OTHER ARTISTS THAT INSPIRE YOU?
Ernst Haas, Andre Kertesz, Minor White, Van Gogh, Klee, Cezanne, Kandinsky, Matisse, Rothko, Frankethaler
3. WHAT MAKES AN EXCELLENT PHOTOGRAPHER?
Commitment and curiosity
4. WHAT WAS THE HARDEST PART ABOUT DECIDING TO BECOME A FULL-TIME PHOTOGRAPHER?
The growing realisation that becomes more apparent every day and that is the more I learn, the more I realise there is to learn.
5. WHAT MOTIVATES YOU IN YOUR WORK AND WHAT IS DEMOTIVATING?
I am motivated by curiosity and a desire to explore. Dissatisfaction with my work and creative block are depressing but not necessarily demotivating.
6. WHAT ARE THE MOST PASSIONATE MOMENTS IN YOUR WORK?
The time in the landscape when I get to play – endless experimentation excites me enormously.
7. WHAT ARE THE MAIN CHALLENGES IN YOUR WORK?
Finding enough hours in the day to read the books I know will help me in my work.
8. HOW DID YOU DEVELOP YOUR ARTISTRY?
Practice, commitment, research and experimentation.
9. WHAT IS YOUR MAJOR PERSONAL LEARNING IN PHOTOGRAPHY THAT YOU WOULD CONVEY TO A "NOVICE"?
Again – commitment. And a realization that time is far better spent going to art galleries than it is comparing lenses or new camera bodies.
10. WHICH ARE THE DRIVING FORCES FOR YOU PERSONALLY AND IN YOUR WORK?
A need to create and a desire to improve and acquire a greater understanding of what I do.
11. WHICH FEELINGS DETERMINE YOUR WORK WHEN OUT IN THE FIELD?
My work is a reflection of many elements and obviously what I am trying to portray varies greatly.
12. ON WHICH CRITERIA DO YOU JUDGE YOUR OWN WORK AS SUCCESSFUL?
If I feel an image has conveyed what is in my mind and come together as I envisaged.
13. YOUR PHOTOGRAPHIC WORK AND THE BEAUTY OF OUR PLANET, NATURE: WHAT CONNECTION DO YOU SEE?
I try to present a different viewpoint. The job of an artist is to show the viewer something he or she hasn't seen. Portraying the many qualities of the natural world in an unexpected and intriguing way is my goal.
14. ASSUMING YOU WOULD HAVE 15 MINUTES ON A TV BROADCAST AND PEOPLE ALL OVER THE WORLD COULD LISTEN AND UNDERSTAND WHAT YOU WERE SAYING, WHAT WOULD BE THE CORE OF YOUR MESSAGE TO THE PEOPLE?
I don't know if much of my personal philosophy would be that ground-breaking or interesting. I feel lucky that as an artist and a photographer I have learned to see things that many other people do not notice. I can only suggest that people take more time to appreciate the beauty that surrounds them.
»I can only suggest that people take more time to appreciate the beauty that surrounds them.«